Interrogates the construction of Black subjectivity in Shakespeare's Othello with reference to a handkerchief deployed in the play as a critical plot device. The essay poses an argument regarding the use of black cloth as a metonymic code for Blackness on the Elizabethan stage as well as the broader cultural landscape within which Othello's handkerchief functioned. The essay engages conversations in performance studies, cultural history, and the study of Shakespeare.