Wilburn, Reginald A. "On James Weldon Johnson's Milton and a Sinful Poetics of Anti-lynching (Re)form." Throughlines. www.throughlines.org/suite-content/milton-and-anti-lynchng-reform. [Date accessed].

Milton and anti-lynching reform

A drama not meant to be performed referencing Milton and a stinging indictment of lynch culture.

Download the transcript
Reginald A. Wilburn
Texas Christian University

On James Weldon Johnson's Milton and a Sinful Poetics of Anti-lynching (Re)form | Watch the full talk

Presented by Reginald Wilburn at Poetics: A RaceB4Race Symposium in 2023

Reginald Wilburn analyzes James Weldon Johnson’s anti-lynching poem “Brothers – American Drama” (1916) and its intertextual references to Milton. Johnson, born in 1871, was the first African American professor hired at New York University and the lyricist for “Lift Every Heart and Sing.” Wilburn highlights the Miltonic features in “Brothers” that work as intertextual bookmarks, demonstrating how the poem draws on collateral knowledge that is part of the history of Black appropriation that “chokes and engages” with Milton. Wilburn describes how Johnson’s use of unrhymed blank verse, his subtitle, and his creation of a drama not meant to be performed all reference Milton and create a stinging indictment of lynch culture.

Further learning

Recommended

Essay

Representations of Muslims in El Poema de Mio Cid

El Poema de Mio Cid, when taught contrapuntally with La Chanson de Roland and The Epic of Sunjata, reveals complex and layered representations of Muslims in the medieval Iberian Peninsula.

Adam Miyashiro
Video

Comparative epics: Teaching El Cantar de Mio Cid

A mainstay of medieval literature classrooms, El Cantar de Mio Cid expands upon crusades rhetoric in the multicultural and multilingual Iberian Peninsula.

Adam Miyashiro
RaceB4Race Highlight

Academic complicity in racist medievalisms

Eduardo Ramos examines whiteness in medievalism and its connection to medieval studies. Scholars in the field today have a responsibility to address the “sins” of their academic forefathers.

Eduardo Ramos