Ramos, Eduardo. "Sins of the Father: Academic Complicity in Racist Medievalisms." Throughlines. www.throughlines.org/suite-content/academic-complicity-in-racist-medievalisms. [Date accessed].

Academic complicity in racist medievalisms

Examining whiteness in medievalism and its connection to medieval studies.

Download the transcript
Eduardo Ramos
Arizona State University

Sins of the Father: Academic Complicity in Racist Medievalisms | Watch the full talk

Presented by Eduardo Ramos at Appropriations: A RaceB4Race Symposium in 2020

Eduardo Ramos examines whiteness in medievalism and its connection to medieval studies. He discusses how academia’s early nationalistic, and at times overtly imperial, interests suppressed evidence of diversity during the Middle Ages to construct a homogenous white Europe that informs popular medievalism like The Lord of the Rings (1954-55). Furthermore, by presenting texts like Beowulf (pre-11th century) and Vǫlsunga saga (13th century) as some sort of white heritage, early scholars and translators facilitated the appropriation of medieval Germanic symbols by white nationalist movements. Scholars in the field today have a responsibility to address these “sins” of their academic forefathers.

Further learning

Recommended

Activity

Erasure poetry exercise: Chaucer’s The House of Fame

A student exercise using erasure poetry to interrogate Chaucer's text. By redacting Chaucer's poem, students can reimagine their relationship to premodern literature.

Seeta Chaganti
Video

Piers Plowman and whiteness in Passion plays

A leather costume worn by an actor playing the crucified Christ offers a new understanding for how medieval drama shaped ideas about race. Wan-Chuan Kao follows the performance tradition of medieval Passion plays into William Langland's Piers Plowman, all while unraveling constructions of whiteness that linger with us today.

Wan-Chuan Kao
Essay

Spenser and his racializing influences

Comparing episodes from The Faerie Queene with episodes from the works that inspired Spenser, in particular excerpts from Ariosto’s and Tasso’s works, is a productive way to draw attention to how racialization travels and mutates across national traditions.

Dennis Britton