Sayet, Madeline. "Indigenizing Shakespeare Movement." Throughlines. www.throughlines.org/suite-content/indigenizing-shakespeare-movement [Date accessed].
Indigenizing Shakespeare Movement
A brief overview of the movement and the productions that defined it.

Shakespeare is at its best when everyone is allowed to decide what interests them and how to interpret it through their own perspectives. Many Native artists have found ways to reimagine Shakespeare, bridging communities to illustrate the importance of Indigenous language revitalization, Native art, and storytelling. Whether including Indigenous languages or adapting works to include a Native writer’s voice in English, these Shakespeare productions can only be built in Native-empowered spaces. Despite the original colonial intentions that forced Shakespeare on Native peoples, these productions say our languages are equal to or more complicated than Shakespeare’s.
Further learning
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The gore, violence, and revenge fantasy depicted in Titus Andronicus is usually the first (and sometimes last) thing that people talk about. But it's rarely examined to understand the diliberate questions at stake in the play. Namely, what does it mean for a society to cease to behave decorously?
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