Smith, Ian. "Reading race in Shakespeare." Throughlines. www.throughlines.org/suite-content/reading-race-in-shakespeare. [Date accessed].

Reading race in Shakespeare

Further reading into the "cliché of race."

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Ian Smith
University of Southern California

Barthelemy, Anthony Gerard. Black Face, Maligned Race: The Representation of Blacks in English Drama from Shakespeare to Southerne. Baton Rouge: Louisiana State University Press, 1987.

Little, Arthur, Jr. “Is it Possible to Read Shakespeare through Critical White Studies?” In Ayanna Thompson, ed. The Cambridge Companion to Shakespeare and Race. Cambridge: Cambridge University Press 2020: 268-80.

Marcus, Stephen and Sharon Best. “Surface Reading: An Introduction.” Representations 108.1 (2009): 1-21.

Morrison, Toni. Playing in the Dark: Whiteness and the Literary Imagination. Cambridge: Harvard University Press, 1992.

Schreiner, Susan E. “Appearances and Reality in Luther, Montaigne, and Shakespeare.” The Journal of Religion 83.3 (2003): 345-80.

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Further learning

Video

The cliché of race

Probing the cliché of race is a necessary moral objective and pedagogic requirement that begins by making race visible in Shakespeare’s texts to disrupt the prevalence of a destructive, convenient untruth.

Ian Smith
Essay

Racialized skin in Shakespeare

The necessity of excavating and exposing the forms of whiteness that both drive the cliché of race and offer students opportunities for more sharply defined social critique and self-interrogation.

Ian Smith

Recommended

Activity

BIPOC lives in the English archives

This assignment asks students to investigate online databases in search of BIPOC who lived in England between 1500-1700.

Kim F. Hall
RaceB4Race Highlight

Shakespeare and the police

In his presentation at RaceB4Race in 2020, Little compares the policing of the Black body (Black persons) to intellectual theft that often surrounds Shakespeare and early modern studies.

Arthur L. Little, Jr.
Video

Titus Andronicus as the gateway drug

Students believe they know what Romeo and Juliet or Hamlet or Macbeth mean, but rarely do those “meanings” stem from the students’ close engagements with the texts. Using Titus Andronicus at the beginning of any Shakespeare class forces students to experience Shakespeare anew.

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Selected annotated bibliography