Smith, Ian. "Reading the violent Black man myth in Hamlet." Throughlines. www.throughlines.org/suite-content/reading-the-violent-black-man-myth-in-hamlet. [Date accessed].

Reading the violent Black man myth in Hamlet

Further reading for an interrogation of race in Shakespeare's Hamlet.

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Ian Smith
University of Southern California

Coates, Ta-Nehisi. “The Great Fire.” Vanity Fair, August 24, 2020. https://www.vanityfair.com/culture/2020/08/ta-nehisi-coates-editor-letter 

Loomba, Ania. Shakespeare, Race, and Colonialism. Oxford: Oxford University Press, 2002. 

Muhammad, Khalil Gibran. The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America. Cambridge: Harvard University Press, 2011.  

Parker, Patricia. “Black Hamlet: Battening on the Moor.” Shakespeare Studies 31 (2003): 127-164. 

Smith, Ian. “White Skin, Black Masks: Racial Cross-Dressing on the Early Modern Stage.” Renaissance Drama 32 (2003): 33-67.  

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Further learning

Essay

Hamlet and the color of criminality

Bringing Hamlet into a recognizable universe of modern concerns and asking students to think about the demands reading Shakespeare and race places on them as 21st-century thinkers.

Ian Smith
Video

Race in Hamlet: The violent Black man myth

Rather than try to tell a sociological story about the "violent Black man" myth, we can examine one instance of this racial mythmaking in a widely studied, influential literary forebear: Shakespeare’s Hamlet.

Ian Smith

Recommended

Reading list

Reading race in Shakespeare

Suggested readings from Ian Smith for an in-depth understanding of the "cliché of race."

Ian Smith
Essay

Racialized skin in Shakespeare

The necessity of excavating and exposing the forms of whiteness that both drive the cliché of race and offer students opportunities for more sharply defined social critique and self-interrogation.

Ian Smith
RaceB4Race Highlight

White-washing educative adaptations of Shakespeare

Eric L. De Barros critiques educative adaptations of Shakespeare plays that seek to create social change through art but instead are too reverential of Shakespeare, especially its poetic language.

Eric L. De Barros

Selected annotated bibliography