Edmund Spenser’s The Faerie Queene sought "to fashion a gentleman or noble person" through the instructive device of allegory. The knights of the story who embody Christian virtues like chastity, justice, and temperance must prevail over enemies like lust, perversion, and excess. Throughout the poem, these negative qualities are personified as blackened pagan, Islamic, or Indigenous characters. Three centuries later, D.W. Griffith’s The Birth of a Nation used the same chivalric allegory to bolster the political message of white supremacy in the Reformation era. Reading allegory as a political structure reveals how chivalric logic is still shaping national rhetoric about immigration, gender, race, and belonging.